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The plan
Built around the moment. What the launch, event or campaign needs to say, which reels say it, and where each one goes out.
The add-on to Full Reconstruction or Creative Partnership
One content day in Montréal, made into something cinematic.
I plan it, I script it, I shoot it, I edit it. You show up dressed for the part, and you leave with eight cinematic reels, B-roll and photos.
Book it around the moments that deserve more than a phone on a tripod: a launch, an event, a campaign.
Starting at $2000 per package · Greater Montréal
The Director’s Cut is an add-on to Full Reconstruction or Creative Partnership. It sits on top of the work, not in place of it.
Cinematic content with no strategy behind it is beautiful and sells nothing. The brand world, the pillars and the series are what tell the camera where to point; the content day is where they get made.
Add it to the ninety days to launch the rebuilt brand with content that matches it, or to the partnership whenever a launch, an event or a campaign comes up.
One content day, planned around what is coming up for you: a launch, an event, a campaign, a new season of the brand.
Outfit planning, scripting, shooting and editing. Eight cinematic reels, a bank of B-roll and a set of photos, all made from the same day.
Your job is to be in the room on the day. Everything either side of that is mine.
How the package runs
Booked when you need it, as often as the calendar calls for it.
One day, planned end to end. Everything before it and everything after it is part of the package.
Before the day
On the day
After the day
The package
A launch deserves better than whatever you managed to film the night before. The Director’s Cut collapses it into one planned day.
What you get back is the thing founders rarely have when it matters most: content that looks as considered as the work behind it.
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Built around the moment. What the launch, event or campaign needs to say, which reels say it, and where each one goes out.
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What you wear, planned piece by piece, and what you say, written reel by reel. Nothing is improvised on the day unless we decided it should be.
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I direct and I shoot: the reels, a bank of B-roll, and photos from the same day. You show up and follow the plan.
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Eight cinematic reels, edited and finished, delivered with the B-roll and the photos so the moment keeps going long after the day.
Most of the year, your own camera is enough. Then a launch comes, or an event, or a campaign you have been building towards for months, and the content has to look like it.
The Director’s Cut is for those moments.
The add-on · Director’s Cut Package · done for you
Added to Full Reconstruction or Creative Partnership, booked when you need it.
No. It is an add-on to Full Reconstruction or Creative Partnership, because that is where the strategy it shoots comes from. Add it during the ninety days, or any time you are in the partnership.
One content day, with the outfit planning and scripting before it and the editing after it. You leave with eight cinematic reels, a bank of B-roll and a set of photos.
Around the moments that matter: a launch, an event, a campaign, a new offer, a new season of the brand. Book it once, or every time the calendar calls for it.
The content day itself, plus the time it takes to approve the plan, the outfits and the scripts.
Available in the Greater Montréal area. Anywhere else is possible too, with travel and accommodation added to the package.
The package starts at $2000. Locations, the scale of the event, or more than one setup can move the price, and I will tell you exactly where it lands before anything is booked.
Bien sûr. Scripts can be in French, in English, or in both if your audience lives in both.
Answer these and I’ll come back to you with the next step. It is added to Full Reconstruction or Creative Partnership, so tell me in the message which one you are in (or starting), and what the content day is for: the launch, event or campaign, and roughly when.